Paint Les Roches Red

"Paint Les Roches Red"

This summer, notable artists Rosie McGuinness, Caroline Popham and Cecilia Carlstedt have been invited to ‘Paint Les Roches Red.’ The innovative trio will be combining their creative talents to produce an eye-catching mural, on display for this summer season only. Combining their different artistic talents, the three artists have come together to create two Les Roches Rouges inspired murals that will be taking pride of place in the outdoor Michelin starred restaurant, La Terrasse, and on the wall of one of the downstairs relaxation areas. Inspired by the summertime, the vegetation, the colours and the style of Les Roches Rouges, Rosie, Caroline and Cecilia have created two stunning works of art that exude the very ethos of the hotel.

The Artists

CAROLINE POPHAM @carolinepopham

British artist Caroline Popham graduated with a Post Graduate Diploma in Fine Art at the University of Arts (Chelsea) in London in 2016. She previously completed a Bachelor of Arts in Graphic Design at the University of Brighton in 1994 and has worked as a freelance graphic designer for 20 years with such clients as Louis Vuitton, Dior and Manolo Blahnik to name a selection. It was as a graphic designer that Popham developed her interest in structured minimalism and love of colour, and her skills in painting and collage. Since her graduation she has exhibited regularly as well as producing several commissions including most recently a collaboration with contemporary womenswear brand Chinti & Parker with an exclusive collection featuring her paintings. Early 2019 she exhibited with Exhibit A London gallery. Work is held in Soho House and selected private collections in the United Kingdom, France and the USA. Popham lives and works in London, United Kingdom.

CECILIA CARLSTEDT @cecilia_carlstedt

Cecilia has been working as a full-time illustrator ever since she graduatedfrom London College of Communication in 2003. She spent several years in London and New York but is now back in her hometown of Stockholm. She has worked with a wide range of clients but is essentially linked to the world of fashion. Experimentation is an integral part of her working process and she uses various techniques in her work such as ink, screen printing and collage.

ROSIE MCGUINNESS @rosiemcguinness

Rosie McGuinness works at the point where fashion drawing meets life drawing. After studying womenswear, Rosie developed her practice as
an artist/illustrator, working on projects from editorial to product, print and textile design, and site-specific commissions, with clients such as Dior, The V&A Museum, Atelier 27, Garage Magazine, The New York Times, and Les Echos. Rosie works in pen, ink, and paints, with a focus on strong, simple lines, and the female figure clothed. She has recently exhibited in London andMadrid. Rosie lives in London. A recent quote from Rosie Flanagan, for a feature on Ignant - ‘The women that she draws are distinctive; they have an attitude of self-awareness and an aura of confidence that is present in their posture, and in their clothes.’

Artist's interview responses

What was your inspiration behind the artwork?

Caroline: Summertime; it sounds simple, but it's deceptive. The palate that evokes sun drenched memories for me - sunshine, tanned
skin, peaches, hazy gold pink light is only the beginning of capturing the sensations. My first painting in this series was called Sun on
Her back
 and I started there on a quest to that almost luminous state.

Cecilia: My main area on the long wall is above the plants so I had an idea to extend the vegetation with a dream like garden, drawing
inspiration from the surroundings.

Rosie: I’ve taken inspiration from the colours, style, and atmosphere of the hotel itself, and its surrounding environment - drawing
figures at ease and leisure, reflecting the proximity to the water, and summer days spent on the Provençal coast.


Have you collaborated with artists on group projects before?

Caroline: I haven’t; the creative camaraderie has been fascinating, giddy and timeless, like touring acrobats, daring one another
along.

Cecilia: Not like this one! All of us working on the same piece and also painting it large onto walls was new to me and a very exciting
proposal.

Rosie: This is my first collaboration of this nature - I have long admired both Cecilia and Caroline’s work, so it has been a great
pleasure to work together on this, producing something completely new and unique to us all.


How did you go about planning a collaborative piece with your fellow artists for this?

Caroline: I started by spending some time looking at Rosie and Cecilia’s work and thinking about how it could combine with mine. I
think they did the same with me and then we started feeding in forms, shapes, figures and colours together. There are moments of
delicacy where you are manipulating another's work and we were all naturally sensitive to each other's thoughts and ideas, knowing,
I think, how gentle we need to be with ourselves at the beginning of a process. Work is personal and the slightest tilt of context can
turn it into something different. I love the moment when incipient ideas, that are just starting to find expression, suddenly come
together. I am very happy with this collaboration. Rosie’s wonderful figures sit so beautifully with my forms to build a narrative; Cecilia's
abstract collages bring in foliage, forms from nature, a sense of place and connectedness.

Cecilia: I felt we all had similar thoughts about the look and feel we wanted to have on the wall. The challenge was to make sure
everyone was happy with their part. At the same time, the piece should work in coherence with the each other styles without losing
the identity of the separate artists. We tried two directions, one was we tried building up the wall in layers, one of us concentrating on
the background, one the main figure and the other on the accent details. The other option was dividing the walls into three sections;
one for each artist. We had so much fun testing out numerous ideas and landed eventually on something in between the layered and
section based lay-out.
Rosie: There have been many ideas shared, and gradually sketches begun to slot into place, working to the actual spaces, and
alongside one another. We realised quite early on that simplicity would be key, to mirror the simple, strong lines and design of the
hotel itself, and the relaxed, but thoughtfully composed, atmosphere.


Could you briefly sum up your style of painting and how you have incorporated it into the aesthetic of Les Roches
Rouges


Caroline: I paint abstract canvases in my studio in London. Sometimes I also work in paper collage. The size of some of my works
lend themselves very well to translating onto a wall, I have previously seen them as ‘walls of colour’. I am hoping to use the techniques
I use on canvas to maintain brushstrokes and tones of colours which I love. My work is often reductive so I am simplifying a thought,
a moment, a memory into its simplest form in my own visual diary

Cecilia: It was not so hard to find inspiration from the look and feel of Les Roches Rouges. I was drawn to the aesthetics of the hotel
and felt inspired by the tones and colours presented to me. I normally work in multiple mediums, as this project adds the dimension
of painting onto walls I chose to focus on the more graphic and collage aspects of my work.

Rosie: As I predominantly work figuratively, painting bathers made sense to me - timeless and reposed, in a natural environment,
the colours reflecting those around the hotel and landscape. I wanted to keep the painted lines of the figures loose and natural, again
reflecting where they sit.


                                                                                                                                                           Thanks a lot Brendan Austin for the lovely pictures ! 

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